Wyoming Seminary Presents: “Dance Creations”

By Lily Roberti ’24

Wyoming Seminary’s Dance Company finally brought the show of the year, “Dance Creations,” to life on the stage of the Kirby Center for Creative Arts. With pirouettes, tour jetés, and smiling faces, the second weekend in May revealed the hard work they’ve been putting in all year long. Sem’s forty-second annual dance show was a huge success, bringing boarders, day students, and parents together to celebrate dance.

With a significantly smaller dance company than last year, Sem Dance Company had very large shoes to fill. Twenty-nine dancers made up the company this year. This included four lower-school students, one alumnus (Robert Zaloga ‘20), and six other male dancers who volunteered their time to accompany us. Que Riggins ‘24, one of those generous male dancers, says, “Dance has given me the opportunity to see the arts from a different point of view. I’m able to be an onstage performer rather than just being behind the scenes.” The show was also graced by two faculty dancers, Brennan Twardowski and Charles Carrick.

Sem’s dancers had been preparing for this show since before winter break. They rehearsed through months of difficult choreography, juggling other extracurriculars and schoolwork, and multiple injuries within the company. It all turned out to be worth it, as the exhilaration of being on stage and showcasing their talent brought many spectators. Lauren Urosevich ‘23 says, “The show this year is our first show that is 100% back to normal since 2019, which is super exciting! The dance company has been working very hard to bring this show to the stage for everyone to enjoy. This time of the year is super exciting for the dance company as a whole, but as a senior it is very bittersweet.”

This year, six students were chosen for the honor of choreographing their own piece for the show. Seniors Lauren Urosevich, Holly Egbert, Sasha Roumyantseva, Allison Luo, and juniors Lucy Lew and Molly Kopetchny were the lucky group. From beautiful, flowing lyrical pieces to loud, sassy jazz, these student choreographers brought great variety and talent to the stage. Holly Egbert, a dedicated member of the dance company for four years, shares, “Getting the opportunity to choreograph my own piece for this year’s dance show has been an amazing experience. I was able to work with so many talented dancers to craft a dance that we all loved.”

Of course, the dance show could not have been possible without Bernadine Vojkto and Brennan Twardowski. Mrs. Vojkto’s commitment has been crucial in the formation of this wonderful performance, and Ms. T’s assistance and creativity helped get the show up and running. This year, Ms. T took it a step further and became a choreographer, creating an upbeat and fun piece called “She Can Dance.” Mrs. Vojtko’s experience helped set up most of the choreography that hit the stage, including a  jazzy theater piece, “Too Darn Hot,” and the finale of the show: a series of Western-inspired dances concluding with the entire company onstage for “Hoedown.” Raphael Cooper was the final talented pro involved in choreographing, putting together a bold tap sequence to “Fireball.” With the collaboration of these phenomenal professionals and the dedicated dancers, Sem’s 2023 Dance Show was a huge success!

The Suscon Screamers

By Kim Nguyen ’23

Sem students are doing amazing work on campus everyday. But what about off campus? Mikel Salas-Warner ‘23 and Lauren Urosevich ‘23 have taken their love of music to King’s College. Lauren says “I honestly always thought it would be so fun to have a radio show and I feel like doing the show with Mikel is so perfect, since we are always sending each other new music to listen to. So we asked Mr. Doherty and he helped us get a show!” Their radio show “The Suscon Screamers”  is eclectic, meaning it features many genres of music like indie, rock, country, folk, punk, and midwest emo.

You may be curious about the meaning of the show’s name. Salas-Warner explains, “The name comes from the legend of the Suscon Screamer, a ghost that lives near the woods of Pittston, PA…me and Lauren became really good friends through making journeys to Suscon…and often during these drives we would be playing music. It’s also just a great name for anything, so why not for our radio show?”

Every aspect of the show is unique, making it entertaining and eccentric for its listeners. The hosts combine their favorite genres like 70s rock to maintain a mix of them since the show is experimental. If you are interested in listening, the show starts every Monday at 8:30-9:30 on 88.5 FM WRKC.

Sem Stages “Bright Star”

By: Annabel Dobash ’23

Wyoming Seminary’s fall musical has long been a campus tradition, but Covid 19 hampered large scale productions for two years. Now, their mainstage production is back in full swing. This year, the company performed Bright Star; a Tony Nominated musical based on true events.

The musical tells the story of Alice Murphy, an editor in Nashville as she meets a young soldier who is seeking success in writing and discovers family ties. It was co-written by Steve Martin and Edie Brickell who penned the bluegrass score.

Sem’s production featured Ainsley Eidam ‘23 as Alice Murphy, Liam Phillips-McGraw ‘23 as Jimmy Ray Dobbs, Michael Vodzak ‘24 as Billy Cane, Holly Egbert ‘23 as Margo Crawford,  David Getz ‘24 as Daddy Murphy, and Olivia Stevens ‘23 as Mama Murphy. 

The set included an elaborate moving house that was built by Floyd Bussie, the technical director. Working with the house was the high point of David Getz’s ‘24 rehearsal process.

Auditions took place on September 8th and the cast list was released on September 11th. Official rehearsals began on September 13th. Since then, the cast of over 30 people has been hard at work learning blocking, choreography, and music. 

Last year the rehearsal process was six months long, but this year it was shortened to three months. Eidam describes the short rehearsal process as “crazy, we went from the second day of school to the fourth of November rehearsing and then the show goes up. It’s much shorter, so we have so much more to pack into it, and it’s been a lot stricter.” Despite the limited time, Eidam says that “I find that music [rehearsals]are so inspiring and uplifting, it’s the highlight of my day.”

The cast entered tech rehearsals on October 29th where they met everyday from one to six pm. Bright Star opened., November 4th and ran through Sunday November 6th. Getz is looking forward to “hearing the reactions at the end of act one, I think it will definitely be interesting, but also the opening because I don’t think it will be what a lot of people are expecting it to be.”